Remembering the Bloody Murder and Rape of Innocent Israelis on Oct 7
⚠️WARNING: GRAPHIC AND UPSETTING FOOTAGE ⚠️
Agam Goldstein-Almog was 17. She says it at the start of the film, because the age is the point.
On the morning of October 7 her family was in the safe room at Kibbutz Kfar Aza. Her father, Nadav, and her sister, Yam, were murdered there. She was taken with her mother, Chen, and her brothers, Gal, 11, and Tal, 9, and driven into Gaza in her mother’s car.
She describes the trip. Civilians in Gaza banging on the windows. She told her mother they were going to rape her. The men in the car talked about marrying her off. She asked only that the four of them be kept together. They were. A schoolteacher who was also Hamas held them, after a tunnel, in an apartment, dressed as civilians so the street would not see Israelis. Fifty-one days.
Released on November 26, 2023, moved from car to car through a crowd she thought was going to lynch them, and home to a house with two of them missing.
That is the footage the argument always omits. This isn’t a leaflet. And it isn’t a border dispute. She was a 17-year-old taken from the room where her father and sister had just been killed, with two little boys, into a home in Gaza, by people the marches across London, Paris and New York still call resistance.
She’s the one narrating it. The film doesn’t need a caption.
⚠️WARNING: GRAPHIC AND UPSETTING FOOTAGE ⚠️
Agam Goldstein-Almog was 17. She says it at the start of the film, because the age is the point.
On the morning of October 7 her family was in the safe room at Kibbutz Kfar Aza. Her father, Nadav, and her sister, Yam, were murdered there. She was taken with her mother, Chen, and her brothers, Gal, 11, and Tal, 9, and driven into Gaza in her mother’s car.
She describes the trip. Civilians in Gaza banging on the windows. She told her mother they were going to rape her. The men in the car talked about marrying her off. She asked only that the four of them be kept together. They were. A schoolteacher who was also Hamas held them, after a tunnel, in an apartment, dressed as civilians so the street would not see Israelis. Fifty-one days.
Released on November 26, 2023, moved from car to car through a crowd she thought was going to lynch them, and home to a house with two of them missing.
That is the footage the argument always omits. This isn’t a leaflet. And it isn’t a border dispute. She was a 17-year-old taken from the room where her father and sister had just been killed, with two little boys, into a home in Gaza, by people the marches across London, Paris and New York still call resistance.
She’s the one narrating it. The film doesn’t need a caption.
— Mor Edge Insight (@MorEdge_Insight) October 5, 2026
Here’s another video from Israel.
Three years since October 7, 2023.
We remember the lives stolen by Palestinian Hamas. We honor the heroes. We carry the scars.
And still, we stand.
We rebuild. We live. We choose hope.
Am Yisrael Chai. 🇮🇱
Three years since October 7, 2023.
We remember the lives stolen by Palestinian Hamas. We honor the heroes. We carry the scars.
And still, we stand.
We rebuild. We live. We choose hope.
Am Yisrael Chai. 🇮🇱
#UNFORGO7TEN https://t.co/CzgNbcs5Cd
— Israel ישראל (@Israel) October 6, 2026
The stories of murder and horror go on and on.
Shani Louk z”l, 22, from Srigim
Shani was murdered at the Nova music festival by Palestinian terrorists on October 7, 2023.
Born in the moshav of Aderet to an Israeli father and a German mother, she was raised in Srigim after her family returned from a few years in Portland, Oregon. As a teenager she danced hip-hop and modern dance, loved music and nature, and designed her own clothes.
At 18 she moved to Tel Aviv, studied graphic design, and opened a small tattoo studio in her apartment. She held Israeli and German citizenship, and traveled to festivals in Europe and Mexico.
She went to Nova to dance with friends and was still dancing at about 6:45 a.m. A video of her disfigured body in the back of a pickup, driven through Gaza while terrorists cheered and shouted “Allahu Akbar,” circulated worldwide within hours and made her one of the most recognized faces of the day.
Her family hoped for weeks that she was alive and being treated in Gaza. At the end of October her death was confirmed from a skull fragment found on a road leading away from the festival. Israeli forces recovered her body from a tunnel in Gaza in May 2024, and she was buried in Srigim.
Shani is remembered for her art, her dreadlocks, and her love of music and dancing. Her brother said she was artistic in the way she moved, and that she had fun until the last moment.
May her memory forever be a blessing.
— Hashem (@HashemAllMighty) October 7, 2026